Oh sweet Christ, they made Eddie Willers black.

It’s actually happening: Paul Johansson’s adaptation of Ayn Rand’s Atlas Shrugged is coming to the big screen, and on Tax Day, no less.  That’s about as subtle as writing a book in which the last bastion of classical liberalism is called Patrick Henry University.  Oh wait, that’s been done.  Anyway, you can watch the trailer here.  What strikes me most about it is not that a story centered on the railroad industry doesn’t really make sense in 2011, nor the level of film-making gravitas that Johnasson brings to the project from his long tenure as a director for One Tree Hill, but the fact that they made Eddie Willers black.  Sweet.  Tap-dancing.  Christ.

For the uninitiated, in the world of Atlas Shrugged, Eddie Willers works for the iconic Taggart Transcontinental Railroad, and more specifically as assistant to its heiress-magnate Dagny.  The two have known each other their entire lives, having grown up together as playmates, with the knowledge that eventually she would run the company and he would work for her.  Though lacking the vision and brilliance of the main protagonists, Willers recognizes their superiority and gladly serves as Dagny’s subordinate, just as his father and grandfather served Dagny’s forebears.  If memory serves, and it will have to since I don’t have a copy of the book handy, Rand describes him as being blond-haired and blue-eyed, which would certainly put him in good company with about half of the book’s good guys.  In general and especially in Atlas Shrugged, Rand only wrote good and evil characters, the former being rather predisposed to have Nordic features.

I had never considered Eddie Willers’ race to be in question until I was having a conversation with a young Rand devotée during a high school trip to the Freedoms Foundation at Valley Forge (that’s a story for another day) and she said, seemingly out of nowhere, “You know, I always thought of Eddie Willers as black.”  I was somewhat taken aback.  Issues of hair color and complexion aside, when Rand was writing the book in the late 1940s and early 1950s, it would not have made sense for an African American boy or man to occupy occupy Willer’s positions, whether socially or in terms of occupation.  This reality was not at the forefront of my mind–I had never imagined Eddie Willers as anything but white, but then again I grew up in San Diego and went to a high school with almost no African American kids.  If I imagined the characters that meant so much to me at the time in such a way as to reflect my social experience, roughly one-third of them would have been Latino, one-third Asian, and one-third white.  However, in the book as written, only copper baron Francisco d’Anconia is Hispanic, and his family name suggests a colonial European (as opposed to native South American) lineage.  As for the rest, although they embody a variety of physical types (always so as to reflect the soundness of their inner character) they are most definitely white Americans.

Which brings me back to my point: based on the trailer and the film’s IMDB page, they only changed the race of one major character, and it was the one in a position of hereditary subordination.  Does anyone else see that as being at best a horrible oversight?  There are plenty of black conservatives in this day and age–couldn’t we update this story by casting Condoleeza Rice as John Galt and making Dagny into a later in life lesbian?  Paging Meredith Baxter Burney!

I am John Galt, and I am crushing your head.

I’m sure this isn’t the last you’ll read here about what is sure to become the campiest book-to-film adaptation since Mommie Dearest.  Over the holidays I read Jennifer Burns’ wonderful intellectual biography of Ayn Rand, and I’ve been meaning to share my thoughts about it here.  Until then, I leave you.

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About droyles

Historian of the recent American past.
This entry was posted in Ayn Rand, Condoleeza Rice, conservatism, film, Meredith Baxter Burney. Bookmark the permalink.

8 Responses to Oh sweet Christ, they made Eddie Willers black.

  1. Chris B says:

    Remember, the Atlas Shrugged movie takes place in the future , not in the 40’s or 50’s. I was surprised when I saw the actor who played Eddie Willers in the trailer but race shouldn’t be a story. We all picture the characters in our mind and this one threw me for a loop. Dagny , on the other hand, was exactly as I pictured her in my mind.

    • droyles says:

      Right, in the future… where trains are really important? A really unfortunate casting choice, no matter what.

  2. Ro-RO-Ro says:

    I had the exact same thought about Willers — you articulated my reaction perfectly. I just watched the trailer and saw a black man in a suit giving some sort of report to a blonde woman. I thought, okay, there’s Dagney… that guy must be her assistant, the one she forgot about in the final act and who starved to death in the desert, since his only value was his unquestioning loyalty and he didn’t have the intelligence to join the New World. Good God! As if the movie needed to emphasize Rand’s racism any more than the original novel, now we’ve made perfectly clear that when the shackles of socialism are bucked off of our Aryan lords, they will abandon us of the lesser races–even those of us who proved our loyalty with generations of service!–to our own miserable fates.

    and when ah ain’t got no shoes ta shine, hows ah gonn’ eat!!!

  3. awesomebitch says:

    ” Sweet. Tap-dancing. Christ.”

    That sums it up for me.

  4. Didn’t bother me that much. The movie had its problems, and it did feel dated, but high-speed rail is at least on the periphery of national conversation these days, even though most people still consider passenger rail antiquated. And it’s not really out of sorts these days for a studio to grab one secondary character and cast him black, although it’s true they might have thought twice about the potential to misinterpret the specific role of the character they chose. But they cast Heimdall black in the recent Thor movie and even in a movie about Norse gods, it worked out just fine.

    On the other hand, for all his talents, Edi Gathegi is no Idris Elba…

    • droyles says:

      To make matters worse, Edi was Darwin in X-Men: First Class. As in, (spoiler alert) the ONE mutant character to die halfway through the movie. I think he needs to get a new agent.

  5. femmemuscle says:

    who really cares what color he is? i mean, really?

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